Email: office@yourdomain.com
Phone:: +44 20 7240 9319
back to top

Current exhibition in the Museum of Photography: Bratislava between two bridges

Bratislava in the years 1945 – 1972 on photographs from the collection of the Museum of Photography

curator: Martin Kleibl

exhibited authors: Viliam Malík, Ivan Kozáček, Karol Kállay, Ladislav Noel, Viliam Přibyl, Ladislav Csáder, Ján Cifra, Miroslav Vojtek, Ivan Matejka, Bohumil Puskailer, Tibor Borský, Rudolf Lendel

 

 

In 1945, the retreating German army blew up the only bridge connecting the two banks of the Danube. A few days after the event, nineteen-year-old Karol Kállay photographed demolished buildings and tank wrecks around today’s Trnavské mýto in the already liberated Bratislava. In 1972, photographer Rudolf Lendel passed by a newly built SNP bridge and managed to capture a bridge full of Tatra trucks, which realized here the bridge load test. Between these two events a lot of water flowed in the Danube. The gloomy atmosphere of war-stricken Bratislava was replaced by “building” enthusiasm and belief in a better and more joyful future. The largest city in Slovakia was inhabited by people from all over the country, and peripherals were transformed into modern housing estates for thousands of people. In Ivan Kozáček’s photo, these two worlds meet in close proximity in the form of hanging clothes in the yard in contrast to the “Februárka” housing estate under construction. However, the historical center of the city for many years, practically the whole second half of the 20th century looked rather neglected and gloomy. The personification of this state, but also the position of Bratislava within Czechoslovakia as a “provincial” city, is materialized in the deplorable state of the city’s dominant – the Bratislava Castle, which was reconstructed after the great fire in 1811 even in the second half of the 1960s. The most photogenic and most recorded part of Bratislava was the area under the castle – Vydrica, Zuckermandel and the Jewish Quarter. Poor residents of these parts living in worn-out houses appear in photographs of Karol Kállay from the period just after the war. Bohumil Puskailer often visited these areas in the 1960s and was interested in the lives of children and young people in addition to everyday life. This was at a time when “Podhradie” had already sealed its fate. Its final demise was personified by a grand project of a new bridge over the Danube – SNP Bridge. Danube, in the form of a megalomaniacal project of a new city district – Petržalka, whose construction began in 1973.

 

 Viliam Malík: Demolished Štefánik Bridge by the retreating German army, 1945

 Ivan Matejka: from the cycle Windows, 1960

 Ivan Kozáček: We moved in, 1960

 Karol Kállay: Jewish Quarter, 1946